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DTSTART;VALUE=DATE:20261031
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UID:10000733-1793404800-1795391999@www.usajapan.org
SUMMARY:The Cinema of Masaki Kobayashi: Midcareer Masterworks at BAMPFA
DESCRIPTION:Join us at the Berkeley Art Museum and Pacific Film Archive for a screening series of The Cinema of Masaki Kobayashi: Midcareer Masterworks. \n“All of my pictures . . . are concerned with resisting entrenched power. . . . I suppose I’ve always challenged authority. This has been true of my own life\, including my life in the military.” —Masaki Kobayashi \nThe Japanese director Masaki Kobayashi (1916–1996) is best known for his antiwar masterpiece The Human Condition\, an engrossing three-part epic about Japan’s brutal exploitation of Manchuria during World War II\, which became a worldwide sensation upon its release in 1959–61. However\, Kobayashi had begun his rise to prominence as a young filmmaker decades before: after studying philosophy and art history at Waseda University\, he landed work right out of school as an assistant director at Shochiku Studios in 1941. His trajectory was interrupted by the escalation of war\, but following his service in the armed forces between 1942 and 1945\, Kobayashi returned to filmmaking and was mentored by Keisuke Kinoshita. By the early 1950s\, he began to direct his own films and soon gained recognition for his sensitive portrayal of social issues. About a decade later\, his approach shifted from realism to an interest in exploring the stylized beauty of traditional Japanese aesthetics in several of his most acclaimed works—Harakiri (1962)\, Kwaidan (1964)\, and Samurai Rebellion (1967)\, all featuring scores by the famed composer Toru Takemitsu. Timed with a new 4K restoration of the Director’s Cut of Kwaidan\, this series focuses on the middle part of Kobayashi’s career and offers a rare chance to see 35mm prints of the works that established his place in film history. \n—Susan Oxtoby\, Director of Film and Senior Film Curator \nScreenings:\n*Please see the BAMPFA website for the most up-to-date listings and screentimes \nSaturday\, October 31st @ 6:30 PM | Kwaidan\nFriday\, November 6th @ 7:00 PM | Harakiri\nSaturday\, November 7th @ 2:30 PM | Kwaidan\nSunday\, November 8th @ 1:30 PM | The Human Condition I: No Greater Love\nWednesday\, November 11th @ 7:00 PM | Samurai Rebellion\nFriday\, November 13th @ 7:30 PM | The Inheritance\nSunday\, November 15th @ 1:30 PM | The Human Condition II: The Road to Eternity\nFriday\, November 20th @ 4:00 PM | Harakiri\nSaturday\, November 21st @ 3:30 PM | Samurai Rebellion\nSunday\, November 22nd @ 1:30 PM | The Human Condition III: The Road to Eternity
URL:https://www.usajapan.org/event/the-cinema-of-masaki-kobayashi-midcareer-masterworks-at-bampfa/
LOCATION:Berkeley Art Museum and Pacific Film Archive\, 2155 Center St\, Berkeley\, CA\, 94720\, United States
CATEGORIES:Arts & Culture
ATTACH;FMTTYPE=image/png:https://www.usajapan.org/wp-content/uploads/2026/08/1.png
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DTSTART;TZID=America/Los_Angeles:20261031T180000
DTEND;TZID=America/Los_Angeles:20261031T210000
DTSTAMP:20261007T001521Z
CREATED:20261006T230132Z
LAST-MODIFIED:20261007T001521Z
UID:10000744-1793469600-1793480400@www.usajapan.org
SUMMARY:地域イノベーションと大学の役割
DESCRIPTION:人口減少や産業構造の変化が進むなか、地域のイノベーションを誰が担い、どのように持続的な成長へつなげるかが全国各地で課題となっています。本イベントでは、『大学まちづくり 地方創生 担い手不在を覆す』の著者3名を迎え、大学を地域の知的拠点と多様な関係者をつなぐブレーンハブとして捉えます。米国の産業クラスターと日本の実践を手掛かりに、大学発イノベーション、人とチームづくり、これからの地方創生について考えます。 \nこんな方におすすめです \n\n地方創生、地域産業の振興、まちづくりに関心のある方\n大学発イノベーションや産学官連携の実践に携わる方\n地域で新しい事業や産業クラスターを生み出したい方\n日米の地域イノベーション事例や人的ネットワークに関心のある方
URL:https://www.usajapan.org/event/%e6%97%a5%e7%b1%b3%e3%81%ae%e5%ae%9f%e8%b7%b5%e3%81%8b%e3%82%89%e8%80%83%e3%81%88%e3%82%8b-%e5%9c%b0%e5%9f%9f%e3%82%a4%e3%83%8e%e3%83%99%e3%83%bc%e3%82%b7%e3%83%a7%e3%83%b3%e3%81%a8%e5%a4%a7%e5%ad%a6/
CATEGORIES:Innovation
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ORGANIZER;CN="Japan Society of Northern California":MAILTO:jsnc@usajapan.org
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